The last snow of spring

Our bird feeder sat on the porch table all winter long, filled with sunflower seeds, untouched by any flying, hopping, or scurrying creatures.

It isn’t that we don’t have flying, hopping, or scurrying creatures: we’ve had flocks of Bluebirds in January, and a mischief of mice invaded our kitchen; herds of deer decimate our gardens; a labor of moles have invaded our lush lawn (that’s a joke, folks); last year a chorus of cicadas denuded our trees;  a loveliness of ladybugs live on the west side of the house all autumn; and right now we’re battling a colony of ants. Yes, I’ve written about critters before.

So where were the birds this winter? My best guess is that since we had very little snow, they weren’t starving and didn’t visit out feeder.

But a week ago we had (what we hope was) the last snow of spring. Snow dusted the ground, the daffodils, and tree branches. And a little visitor found our bird feeder. I didn’t get a picture of him that day; he was skitter-ish, but he discovered that the attack cat is fat and lazy, and his true bravery emerged. Plus he likes sunflower seeds.

Haiku for Squirrel

Red squirrel skitters
Sliding in the slick spring snow
His winter stash spent.

I’m not concerned about a solitary squirrel, but I certainly don’t want a drey of squirrels nesting on the porch this spring or a scurry of squirrels stealing our walnuts this fall.

The Road Winds Around

The Road Winds Around

The road winds around through time —
a gray concrete ribbon now,
edged with yellow and white lines.
But before now, then,
then there was a land between two rivers —
inhospitable high forested hills–
stopped the glacier eons ago.
The narrow lands in the valleys curve around the next hill;
the banks of the meandering stream
that connects the two rivers
are the only flat lands
until Ohio.

Deer and bear and Native Iroquois carved out the first path —
the leaves and dirt compacted and hardened by the feet of
animals, wild and domestic; people, wild and domestic.
The route was never chosen, never drawn on paper;
it just became.
Horses picked the easiest way up the high hill;
moccasins chose the slowest curve for walking downhill;
wagons took the flattest way along the stream’s flood plain.
And year after year, as the trees grew and changed colors and dropped their leaves,
the path grew and changed
into a road.

As the road grew wider and harder,
an inn appeared on a long slow curve, where water was plentiful.
The land was flat and spacious for carriages and wagons and horses.
At thirty miles between the towns,
it was a pleasant stopping point between two arduous rides.
Farms dotted the road in between the ridges and woodlands;
sheep proliferated on the hilltops,
cows lived in the narrow valleys
where barns were wedged
between the hills.

Even the industrial era —
coal mines and the discovery of oil —
did not bring more traffic to the hills and curves of the road.
Rather, the oil barons and the coal companies used barges
to float the precious cargo
up and down the rivers to Pittsburgh.
When barges no longer sufficed,
railroads were built on the flat river banks
for the transport
of black rock and black gold.

The surroundings were home
to coal, oil, and gravel,
and the road was macadam,
until Mr. Ford’s Folly was assured.
In 1935, workless men were put to work
laying asphalt over the macadam;
the steam engines and rollers puffing and belching
to get to the top of the hills with picturesque names:
Tin Can Hill, Clearcut Ridge, McFeeter’s Knob,
String Bean Bluff…

The inn, vacant for years, burned to the ground in the thirties,
and a small filling station took its place.
The flood plain by the creek held picnic tables
for families traveling in their new cars.
Family farms were handed down to the next generation of farmers,
never wealthy, but never hungry;
self-reliant but good neighbors;
taciturn, but full of life;
independent, but willing to serve.

And then the era of speed flashed
upon the road–
a lightning bolt in a summer storm.
The Pennsylvania Turnpike,
the first high-speed road of its kind,
opened for business in 1940,
and moved those cars and trucks
across the Blue Ridge Mountains,
linking Philadelphia, Harrisburg, and Pittsburgh.
Seven abandoned railroad tunnels were used for going, not over,
but through those mountains.
Cars and trucks traveling ever faster,
left hills and curves behind in favor of straight, wide, and flat.

There was no straight, wide, or flat
on the road between two rivers.
No.
The road winds around
between hills, valleys, trees and farms,
and is left in the dust of the modern world of speed,
instant indulgence, and time saved.
Those who have chosen that mostly peaceful life
are mostly happy with their choice.
The restless have moved on;
the educated children have moved away
to bigger cities, better jobs, faster lives.
The straight, wide, flat roads bring them home to visit,
only to leave again and again.
Those who stay have chosen place over pace,
paucity over plenty,
peace over prosperity,
people over public.

But some stay who haven’t chosen. Poverty limits them, lack of education limits them, the hills limit them.

Just as the hills keep away hurry,
the hills isolate and divide
those who stay on purpose
and those who are left
in the dust.

The road winds around through time,
telling its story to those
who will take the time
to listen.

IMG_1559

 

This is actually taken from a novel I’m writing. I’d be glad for comments.

 

The absolute, very last ever post on the mudroom…maybe

Why?

Because it is finally finished. And I have to say this final bit was all Mr. H.C. The only share I had in this last wall was painting one coat of paint on the door.

There won’t be too many words about this, because words cannot describe how completely and utterly finished it looks.

Unfortunately photos can’t do it justice either. Because it is all painted in Sherwin Williams’ lovely creamy white color — Steamed Milk. The same color as the kitchen walls. The same color as the dining room walls. The same color as the living room walls. The same color as the ceiling in all those rooms as well. Yes, we like creamy white walls. And ceilings.

In my humble non-decorator-just-average-person opinion, creamy white walls make a humble cottage look bigger, lighter and brighter, and just all-around more cheerful. And anyone who saw the cottage before, with its orange walls and wallpaper and 70s dark paneling would agree.

So without further ado, here are some befores, durings, and afters of our finally-finished-after-five-years mudroom entry to Apple Hill Cottage. (Trumpet sounds here…)

One can see that it is so new, there isn’t even any art on the walls.

This gallery below shows the progression of the outside wall of the mudroom — from the initial window, cedar shake walls, and plastic ceiling — to what it looks like now:

The next gallery of photos shows the progression of the second wall:

The floor has been done for a couple of years, but it still merits a before and after photo shoot:

The finishing of this room took so long because an exterior roof was necessary before the interior ceiling could be installed. Since the roof was finished this past summer, this winter we were able to proceed with the ceiling:

The last wall to be finished (February/March, 2017) was the wall with the most issues. There is an electric panel two feet from the wood stove; there were wires traveling the whole length of the wall that hooked into the electric panel; and this wall was also the orginal entry into the kitchen before the mudroom was enclosed and was just a porch. When we took off the cedar shakes, the wall was down to its original siding and it wasn’t pretty:

These photos below show the electric panel side of the doorway:

The sliding door that covers the electric panel is made from concrete board and trimmed with wood grain concrete board so it mimics the other interior doors in the cottage, but it is safe for being next to the wood stove. It hangs from the ceiling with pocket door hardware.

One of the best things about having the mudroom finished is that now the doorway into the kitchen is finished as well. In the last post on the mudroom,  I showed you the photo on the left. Now the far right is the finished picture.

Five rooms down, two to go. Three if you count the back porch; four if you count the laundry room.

But who’s counting?