35. The attitude of gratitude : Hannah Coulter and I

Hannah Coulter by Wendell Berry has just shot up to the top of my Best Books I’ve Ever Read List. As a librarian, I’m asked a lot (mostly by kids) what my favorite book is. I always hedge. How can one pick a favorite book, when there are so many great reads, so many books, so little time…

But I hadn’t yet read Hannah Coulter.

Yes, yes, I know. This is supposed to be a blog about the cottage, but the subtitle is the circle of life; if anyone knows how to write about the circle of life, Wendell Berry does. His writing is lyrical, a pleasure to read and savor, yet so truthful as to bring pain… My fingertips ached with the beauty of his thoughts, transferred with such clarity into the thoughts of a woman, Hannah Coulter.

Hannah is in her seventies, a widow who has lost two husbands; she has lived her life on a farm in rural Kentucky, her children have grown up, gone to University, and gone from the farm. This is her memoir, but it is more. It is a mourning of the rural life, lost to modernity; it is a mourning of the loss of community that modernity brings; yet, it is also a celebration of love, faith, trust, and the hopes of the human heart.

I’ve been scraping the paint off the cottage this weekend, and that has given me time to ponder the circle of life. The paint was peeling terribly on this weather-beaten, sun-scorched side of the house, yet the warmth of the autumn sun made it lovely weather for scraping — scraping old paint from siding that was probably put on and painted originally by my grandfather. And then re-sided and rearranged by Michael’s dad, Joe. Yet they never knew that this place made by their hands would someday be also lovingly touched by their children’s and grandchildren’s hands… Here is what Hannah says about that…

“As I went about my work then as a young woman, and still now when I am old, Grandmam has been often close to me in my thoughts. And again I come to the difficulty of finding words. It is hard to say what it means to be at work and thinking of a person you loved and love still who did that same work before you and who taught you to do it. It is a comfort, ever and always, like hearing the rhyme come when you are singing a song.” Chapter 14, The Room of Love

I remember making applesauce with Nanny, my grandmother, in her kitchen. She was peeling the apples with a perfect stroke so that the peel dangled in one long piece from the apple. I was awkwardly scraping the apple and only getting little bits of peel to fall into the sink. “It’s all in learning how,” she told me gently. “I couldn’t do it when I was young either. You’ll be able to do it with practice.” I think about that every time I peel an apple in one piece.

Education was important in our family. My grandfather and his brother both left the family farm together to go college and become teachers. But Pa was always a farmer; even while working as a principal, and later, as the superintendent, he farmed. Cows first, then apples, then peaches. Here is what Hannah has to say about education…

“The big idea of education, from first to last, is the idea of a better place. Not a better place where you are, because you want it to be better and have been to school and learned to make it better, but a better place somewhere else. In order to move up, you have got to move on. I didn’t see this at first. And for awhile after I knew it, I pretended I didn’t. I didn’t want it to be true.” Chapter 15, A Better Chance


Yet most of us have gone from our home places to the Great Away, and we are inclined to think (or be taught) that it is just the nature of growing up and moving on. Life ever changes and if we are to get on in this world, that’s just the way of it. I know very few who stayed. And now that I am back in my home place, I envy the rootedness of those who stayed. I envy them their place in the community — not their standing or their accomplishments — but their place. Their membership. Here is what Hannah has to say about that…

This was our membership. Burley called it that. He loved to call it that… The work was freely given in exchange for work freely given. There was no bookkeeping, no accounting, no settling up. What you owed was considered paid when you had done what needed doing. Every account was paid in full by the understanding that when we were needed we would go, and when we had need the others, or enough of them, would come…The membership includes the dead… The members, I guess you could say, are born into it, they stay in it by choosing to stay, and they die in it. Or they leave it, as my children have done… And so an old woman, sitting by the fire, waiting for sleep, makes her reckoning, naming over the names of the dead and the living, which also are the names of her gratitude.” Chapter 11, The Membership

I have given up my membership once, twice, three times maybe, and now I am about to give it up again and move back where I started. A circle. A wandering circle. And though I will miss friendships and those left behind, there is also an excitement. And herein, I think, is part of the problem. We are always searching for the new, the exciting, the next big thing. Eve probably picked that first apple and gave it to Adam because she was bored with the same old grapes every day for breakfast. What we know, we know, and it has become the routine, the boring. What has become of steadfastness, neighborliness, rootedness to a place, community? Here is what Hannah has to say about that…

“The old neighborliness has about gone from it now. The old harvest crews and their talk and laughter at kitchen tables loaded with food have been replaced by machines, and by migrant laborers who eat at the store. The old thrift has been replaced by extravagance and waste. People are living as if they think they are in a movie. They are all looking in one direction, toward ‘a better place’ and what they see is no thicker than a screen. The houses in Port William and even on some of the farms are more and more being used as temporary lodgings by people who temporarily, as they think, can do no better.” Chapter 22, Next?

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When I was finished scraping the paint from one small section, I found an old brush and began to paint primer over the bare wood. As I was covering over the ugly, patchy, half-scraped wood, I wondered what are the differences between those of us who leave and those of us who stay?
Mr. Berry believes that to our detriment, and perhaps our demise, rural life has never been seen as desirable in society, in education, in culture. Indeed, when one of my good city friends discovered I was originally from Greene County, she shouted, “You’re a Hoopie!” Indeed, when I was in high school, the ultimate insult was to call someone a Farmer. Indeed, when my kids were in high school they shook their heads (as did I) over the kids who were choosing to stay. Here is what Hannah has to say about that…

Oftentimes after it no longer matters whether things are clear or not, they become clear. After not liking school at all, Caleb had got to liking it too much… He liked knowing the things he was learning… He was, maybe you could say, tempted by it. And I know, I can almost hear, the voices that were speaking to him, voices of people he had learned to respect, and they were saying, ‘Caleb, you’re too bright to be a farmer.’ They were saying, ‘Caleb, there’s no future for you in farming.’ They were saying, ‘Caleb, why should you be a farmer yourself when you can do so much for farmers?’… These were the voices of farm-raised people who were saying, ‘Caleb, why go home and work your ass off for what you’ll earn? Things are going to get worse for farmers.’ And they were true prophets.” Chapter 17, Caleb.

We leave for so many reasons — a new chance, new friends, a better job, a better place, marriage, escape — for good reasons and for bad ones. But sometimes we expect that someplace else will be better or different, when we really just need to see in a new way. Expectations, Hannah says, are most often a bucket of smoke…

Life may surprise us, it may not turn out how we expect, but always we are asked to see what is and call it good. And until we stop breathing, there will always be surprises. Here is what Hannah says about that…

“Life without expectations was still life, and life was still good…The world that so often had disappointed us and made us sorrowful sometimes made us happy by surprise. You think winter will never end, and then, when you don’t expect it, when you have almost forgotten it, warmth comes and a different light. Under the bare trees the wildflowers bloom so thick you can’t walk without stepping on them. The pastures turn green and the leaves come.” Chapter 19, The Branches.

And as I was scraping away years of dried paint, I was thinking how can I write these things without those who know me thinking that I am being regretful, or feeling guilty, or making them feel guilty? But there is no guilt — just thankful thoughts about what was and what is. And here is what Hannah says about that:

“The chance you had is the life you’ve got. You can make complaints about what people, including you, make of their lives after they have got them, and about what people make of other people’s lives, even about your children being gone, but you mustn’t wish for another life. You mustn’t want to be somebody else. What you must do is this: ‘Rejoice evermore. Pray without ceasing. In every thing give thanks.’ I am not all the way capable of so much, but those are the right instructions.” Chapter 15, A Better Chance.

Yes, indeed, those are the right instructions…

___________________

2. The Sanding Queen

Fast forward to April/May of this year. A lot of stuff happened in between, and we’ll get to that in later posts, but for now, we are working on the kitchen. As in taking out walls–that’s a later post too–but for the past few weekends, I’ve been sanding. Not just smoothing rough edges, but taking off 4 coats of paint and the original varnish of kitchen cabinets. Oh did we dither about kitchen cabinets! They are so expensive, and I want white. The white cabinets that one can purchase at the BB stores are not wood; laminate, thermofoil, melamine, lacquer, acrylic–they have all sorts of fancy names and initials for what is really just junkboard. I’m a purist; I like real; I like old; I like authentic. So I wanted wood cabinets. The unfinished cabinets at Home Depot and Lowe’s were oak. It seemed a shame to buy oak cabinets and paint them white… So we haunted the Habitat for Humanity Restores in Washington and Edgewood and Construction Junction in Point Breeze. It took several visits in all places–and we found some other cool stuff in the meantime–but one day we came upon Really Ugly Cabinets. They were so ugly, we almost passed them right by.

Looks like a square robot from The Flintstones to me…

But when we stopped and figured it out, they were almost a perfect fit for the sizes of cabinets that we needed. Straight out of the early fifties–made from sandable birch plywood all through. They weren’t quite the doors I wanted, but for $225 they will work. Since we saved so much money on cabinets, the plan now is to buy really expensive countertops!

So now I am the sanding queen. You know the song. Unfortunately the only words I know are the sanding queen, da da da da da, she’s the sanding queen, da da da da da da the sanding queen. I didn’t even know it was an Abba song until I saw Mamma Mia! with Meryl Streep. But in my defense, it probably came out in the late seventies, early eighties when I was busy with babies.

I made the mistake of putting stripper on the first one. Oh, it worked okay, but it was very messy. Turns out, the coats of paint were put on right over the varnish, (NO PRIMER!) and they just peel right off with a scraper, which is much easier!!! 4 different colors–grey, red, lavender, green, and then the varnish. Any takers for those porcelain eyeballs?

We set up my cabinet shop on the side of the back porch until this past weekend when the temperatures soared into the nineties. I moved into the air conditioned comfort of the living room and Michael hooked up the sanders to a vac. It’s a complicated system of hoses and extension cords and duct tape. He’s done it for me twice now, and the last time I was supposed to be paying attention so I could do it myself next time. I think I’ve got it. The biggest problem is that the two main sanders I use have different sizes of exhaust holes and I have to figure out which one goes where with what vacuum hose and they all get entangled with the extension cords. But Michael was the original Mr. Tool Guy–and he can always rescue me. The best part about the vacuum is that I can take off my breather mask! Always wear your safety glasses (AWYSG).

Just for variety, I’m also sanding the four doors to the built-in kitchen cupboard in the corner.

These doors have antiquing from the seventies, bright orange paint, and then two layers of green. On both sides!

Here’s a better picture–you can really appreciate the color.

I have also learned about grit. The lower the number on sandpaper the rougher it is. For instance, if one is taking off 4 layers of paint, one wants to choose 80 grit or below. Once the piece is down to bare wood, 180 or 220 is for finishing and making the wood really smooth. I’ve been liking the little “Mouse” sander that has a point and gets into corners. (Michael just returned from HD this evening as I am writing this with a new sander for me. A square “finish” sander. He said it was for me, but the second sentence out of his mouth was “I’ve never ever had a finish sander.”)

BEFORE

Michael must have been jealous of all the fun I was having sanding, because he got into the act also. Last fall we bought a big table at the Restore for $35.00 — a great deal. It’s been sitting in the living room with a table cloth over it (protecting the beautiful finish!) I was planning on staining or painting the top dark, dark green and calling it an old reclaimed table. But just see what Michael the carpenter can do–(even without a finish sander).

AFTER

Now my old reclaimed table idea has to be rethunk! I’m not sure what to do with it now. Michael likes natural finishes, but I sort of wanted it to be dark. I went to look at all the stains, but just couldn’t decide yet. That’s for another day when inspiration hits.

Sanding is boring. The arm gets tired. The sander is loud. The vacuum is louder. The back starts to hurt. The mind wanders. There’s plenty of time for thinking, for praying, for counting blessings, for wondering, for comparing sanding to real life. Cleaning off layers of grime, old paint, and junk to expose the beautiful wood beneath. That’s what trying to live a holy life is like, isn’t it? Always we’re scraping off the gunk that the world leaves on us. Some of it’s been there for years–applied incorrectly, but still it sticks until we really try to scrape it off. And, oh boy, is it hard to get out of the corners! I’m thinking of the book I read last year called Somewhere More Holy by Tony Woodlief. It is some of the most beautiful writing I’ve ever read; he talks about home being where the sacred and the mundane meet when we search for God in the small everyday things–like sanding, like cleaning, like taking something ugly and reclaiming it. Next weekend I’m going to be sanding again. And the week after. And the week after. I’m sure I’ll tire of it. I just have to keep remembering what the finished product will be. Beautiful. Free of gunk. As good as I can make it. And I’ll post some pictures.